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My formal art training started with cubism. Realistic images were fractured into abstractions. The paint became the thing to paint and I quickly learned to 'see into' it. Abstractions became nonobjective.
'Point Line to Plane' and 'Concerning the Spiritual in Art' by Kandinski are the most important influences on my work. My nonobjective paintings are perhaps my best efforts.
I try to show images from Yungs' Collective Subconscious.
My paintings show things that are going on in my brain all the time, processes that are continuous like a movie, and the painting is just one frame of that movie.
Sometimes, the strangest things occure... |
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I can see the strangest things in paint splashes.. |
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A little bit more about my work |
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| List any exhibitions or galleries you have displayed your works in. | |